Technique Thursday — Bokeh

“Bokeh describes the appearance, or “feel,” of out-of-focus areas. Bokeh is not how far something is out-of-focus, bokeh is the character of whatever blur is there.

Unfortunately good bokeh doesn’t happen automatically in lens design. Perfect lenses render out-of-focus points of light as circles with sharp edges. Ideal bokeh would render each of these points as blurs, not hard-edged circles.

The word “bokeh” comes from the Japanese word “boke” (pronounced bo-keh) which literally means fuzziness or dizziness.

A technically perfect lens has no spherical aberration. Therefore a perfect lens focuses all points of light as cones of light behind the lens. The image is in focus if the film is exactly where the cone reaches its finest point. The better the lens, the tinier this point gets.

There are no perfect lenses, so one usually does not see these perfect discs.

Real lenses have some degree of spherical aberration. This means that in practice, even though all the light coming through the lens from a point on the subject may meet at a nice, tiny point on the film, that the light distribution within the cone itself may be uneven.”

quoted in part from Ken Rockwell

Which is what I love. the variety and feel of different types of bokeh you can achieve with different lenses.  Continuing our love of the imperfect, here is a bit of our variety today:

Elan Klein Photography

Elan Klein Photography - "My go-to camera is, hands down, the Contax 645 used with the Zeiss Planar 80mm lens. When shot wide open at 2.0, the bokeh is soft, buttery, mind-blowingly gorgeous. I also love playing with back-lit trees when shooting wide open, as I did with this shot. It results in beautiful orbs of radiant light dancing across the image."

Mitchel Issel

Mitchel Issel - "This was shot mid afternoon on an overcast day, Kodak tri-x, shot with a Pentax67, 105 2.4 lens shot at f2.4 1/500, hand developed in Kodak HC110b. LOVE the bokeh from the Pentax 105 2.4, almost looks like large format to me."

Elaine Palladino Photography

Elaine Palladino Photography - f/2 at 1/250th with a 50mm 1.4 on my Canon 5D Mark II. I focused on the water drops on the apple let the lens do the rest. www.elainepalladino.com

Brothers Wright  bwrightphoto.com

Brothers Wright bwrightphoto.com - "Landscapes. One of the only ways to get bokeh when focused at infinity is to tilt the focal plane. The scheimpflug effect on the Rollei SL66 achieves this rather quickly. It can also be nice to add some bokeh confusion or silhouette your bokeh with objects close to the lens."

Brothers Wright

Brothers Wright - "We hacked out the lower element on our 65mm Mamiya twin lens, and replaced it with a 65mm Brownie127 single meniscus lens, behind the shutter and aperture blades. Resulting in a curved focal plane.film-ACROS" See why I love them?

Brothers Wright

Brothers Wright - "Documentary. Hand holding an 85mm f/1.4 set at 2.0 in front of our FE2, in order to selective focus on one person. film-500T"

Stephanie Smith

Stephanie Smith - "shot wide open at 1.8 with my 85mm. I love the bokeh that framed her." www.stephaniesmith-photography.com

Light Splash Photography

Light Splash Photography - lightsplashphotography.com

Joanee Rojcewicz

Joanee Rojcewicz - I shot this at the most shallow depth of field I could (f/1.4) and it was at about 10am, so lots of sunlight was coming through the vines.Nikon D700, 50mm lensf/1.4, 1/1250th, ISO 200 http://jro-photo.com/

Marina Koslow

Marina Koslow - "I am submitting an image taken with a Helios 85 mm 1.5 (old Russian Zeiss copy) and my Nikon F4, shot on Fuji 400H. Lens mounted on the camera with a help of two adapters for M39 mount. " marinakoslowphotography.com

Puzzle Piece Photography

Puzzle Piece Photography - Mamiya rz67 at f/2.8 on Portra 800 film. I took it right as the sun was starting to set and the light coming through trees created some beautiful bokeh. puzzlepiecephotography.com

Megan Axelsson

Megan Axelsson - This picture of my daughter was taken on our covered porch with walnut trees in the background. The sun sparkling through the leaves is something magical. Shot at f/1.4 on my 85mm. meganaxelsson.com

Melanie Leighton

Melanie Leighton - It was taken with a Canon 5DII, Sigma 50 1.4, at 2.8, ISO 400, a 1/100th of a second.The sun backlighting her through the trees, creating the soft creamy bokeh that I loved instantly. melanieleighton.com

Wendy Laurel

Wendy Laurel - Norita 66 -- this lens is far from perfect so my bokeh is far from perfect, but I love the look of it.

featured photographers:

elankleinphotography.com

http://misselphoto.tumblr.com/

www.elainepalladino.com

http://www.thebrotherswright.com/bwrightphoto/

www.stephaniesmith-photography.com

lightsplash.com

http://jro-photo.com/

marinakoslowphotography.com

puzzlepiecephotography.com

meganaxelsson.com

melanieleighton.com

wendylaurel.com

Don’t forget our Summer Shot list coming tomorrow and our give away this week!  Lots of fun happenings.

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Comments

  1. Kati Decker says:

    These are such beautiful images! My go to in either my 50 on my digi or 80 on my Mamiya. I tend to shoot as wide open as possible as often as possible unless I need some DoF. :)

  2. tobiah says:

    question for brotherswright: did you “freelens” that ron paul image on your nikon?

    helios 85 and the norita are the bomb. they have such a distinct look to me.

    great images all around.

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