Technique Thursday – Square Format Part 1

Before I say anything else, let it be known that I am a camera junkie.

I have owned (and sold) many in a short time period, and I know I’m not alone on that one.  Recently, I’ve been on the hunt for a square format camera that really fits well with my other gear and how I shoot. All this gear shopping made me think that it would be a whole lot of fun to see what some of you choose to use when you shoot square.  The submissions we’ve gotten have been amazing and so fun to look through….the Holga is the runaway favorite, but there have been many others as well – so many that we are breaking this post up over two installments.  Check it out:

MAMIYA RZ PRO (INSTANTS)

Kristopher Orr (and Instagram)

Charlene Hardy

YASHICA MAT

Ashley Kelemen

Kjrsten Madsen

Margaret Hallinan

MAMIYA C220

Elaine Palladino

ROLLEICORD

Mike Radford

Meghan Boyer

HASSELBLAD (VARIOUS MODELS)

Alexandra Knight

Summer Lee

Kjrsten Madsen

Joe & Patience - Timeless Love Stories

MAMIYA 6

Dave Waddell ~ Siousca Photography

NORITA 66

Wendy Laurel

MAMIYA C330

Leslie Rhodes

Neal Carpenter - Inward Studio

Stay tuned for next week's continuation of square format images -in addition to Holga's, we are saving up some other features you don't want to miss!

Technique Thursday – Video Light

Controlling the light in a dark shooting situation is both tricky and imperative. As a wedding photographer, I find myself constantly frustrated by the unpredictability of flash when shooting at receptions, so the day I picked up a video light was a good one. It gives me solid control over the direction of my light & makes metering a piece of cake (especially when shooting, well, cake!). We are excited to share this collection of portraits captured with the use of video light this week!

Becky Earl

I like to mix video light with natural light. It gives a pretty off camera flash look. Mixed with just a little natural light it can act as a lightweight, much more affordable and compact fill light.

 

Kjrsten Madsen

For this image, I was just messing around with my daughter and a video light. I had a few frames left on a roll to burn, and we had the lights off in her room, save one small desk lamp, and shooting at 1.4 1/60th. The film was kodak bw400cn (and even more super geeky info: canon EOS 3 and 50 1.2 lens) then I just put it all together in a quadtych!

 

I like to use a video light for indoor portrait and I typically shoot it with Ilford Delta 3200. I usually don’t meter it in situations like this.  There’s very little ambient, so I know with my video light at full power and that film stock, I shoot it at 1/60 @ 2.8 and develop normal.

 

And for those wedding & detail photogs out there, we’ve got a couple great examples of detail shots with a video light from Jonathan Canlas!
Both of these are Kodak Portra 400, metered at f/2 and 1/60th. The video light is held off camera by an assistant: the cupcake is directly backlit, while the light for the brownie is held at my 2 o’clock.

 

oh and hey, if you haven’t already, make sure to enter our giveaway for a gift certificate from Indie Film Lab!

Technique Thursday – Negative Space

Using negative space to draw a viewer’s eye to the subject in your image can be a very powerful tool.  Done well, this type of photo can have really high impact, whether for a storytelling element, or to truly single out your subject again a clean background.  Mixed in with more portrait style photos, negative space images create added visual interest within a set of photos.

 

Kat Braman

Amy Grace – A Beautiful Life Photo

Rebecca Chalmers – I was trying to catch up to my kids on our walk, when I saw this shot.  I purposely shot wide to get the sense of the big sky, compared to the little bodies of my children.

Jennifer Terry – “I have been obsessed with using negative space lately. I love how it draws the eye to your subject, infusing both powerful emotion, and quiet intimacy. In this capture, the sky provides the perfect negative space to feature the bond between a mother and her newborn.

Tara Monterosso – I am drawn to images with a lot of negative space because everything is so visually stimulating in life.  I love to use the sky, a vine covered wall, or a blanket to help draw the viewer’s eye to my subject in a simple, beautiful way. I also think it makes for an interesting composition because sometimes it requires using a ladder, getting down on the ground, or other ways that capture a unique perspective.

Linsey Wilt - I love how negative space helps draw your eye right to your subject, or in this case subjects. It ultimately takes away all distractions and allows what you meant to be the main subject shine. I also love the striking feeling it can give to an image

Alana Rasbach – a 35 mm lens is on my camera 99% of the time. i like the details and negative space a wide angle lens can capture. for this particular image, i was focusing on how ‘big’ the world is for this little guy.

Rachel Gately Photography – I love the power and emotion negative space brings to an image. It emphasizes the importance of the individuals in the image and adds a bit of magic to the picture.

Me (Abbie McFarland)

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